Summer's End and Musings about Art

Took this shot on my way out of the last week’s opening reception for the art exhibition at the Gallery in The Park in Ward Pound Ridge Reservation.  It was a cool, dreary and rainy afternoon and the bedraggled butterfly bush looked kind of sad, poking its remaining flowers through the railing on the aging front porch.  Kind of like it was making a last ditch effort for attention.  The image reflected my mood, a bit unsettled by the coming end of summer.

Summer's End

Summer's End


Used a slow shutter speed (a little less than a full second) and purposely jiggled the camera for effect. 

The inclement weather didn’t seem to hold down the attendance at the show however – they were parking the cars in the nearby fields and plenty of shoes were clomping over the old wooden floors and stairs of the Gallery.  Lot of interesting quality paintings, drawings and other media – you could go home with one anywhere from a couple of hundred, up to five thousand, dollars.  The show runs through October.  I have one image there (at the low end of the $ range).

Tell you the truth: some of the most fun for me going to these shows is eavesdropping – about my photograph of course, but for the other works as well.  I probably overheard about a hundred conversations.  Some of you may know my previous work life was in survey research and I know this is not good science protocol.  Who knows if these exhibition visitors are representative of art lovers generally, in any way.  Don't worry, I won't be drawing any big picture conclusions.  Think of it as focus group on art.

My observations: well, half of the conversations I overheard weren't about the art on display.  These were folks enjoying a day out, meeting friends and family and just having a good chat.

t was the other half that intrigued me more.  These were people talking about what the hangings on the wall meant to them.  There were a lot of words passed back and forth describing feelings, impressions, emotions, memories.

I can't tell whether there was some direct connection between what the artist intended and what the viewers received -- way too few samples to have any firm generalizations.  So my subjective conclusion was that the artist must have had his or her reasons for being moved to create the art (my guess is that artists wouldn't be good at describing some logical intent) and the viewer was experiencing some idiosyncratic reaction that moved them emotionally.  And these often were two most likely totally unconnected events.  But there was a connection.

And the thing was that there was a large amount of disagreement.  There was one piece that people almost universally derided, but two folks spent a lot of time viewing, seemingly mesmerized by it. 

I've studied statistics and I've studied psychology and I've studied photographic technique, but I've never had any training in art -- the philosophy of why people do art and why people are drawn to art.  I'm willing to bet there are lots of theories about it but in the end it appears to be just a mysterious emotional connection. 

I would love to hear others' views on this.  You can post a comment at the bottom of this blog.

Waiting for a Waterfall

If you’re into photography you sometimes wind up being a trespasser of sorts.  I mean you spend a lot of time meandering out and about, always with an eye to pleasing visual images.  And sometimes these potential pictures present themselves behind posted signs warning of prosecution for trespass.  Birds or trees or foggy sunrises, or waterfalls, which I’m particularly partial to.  Now in my photographic zeal I have to own up to a few hops over stonewalls, openings of private gates, and bendings of barbed wire.  (I do penance for this by supporting a bunch of natural preservation societies.  A bit of environmental rationalization, I suppose.)

Anyway, one spring morning while expanding my dog-walking venues, I heard some very obvious and pleasant stream sounds, not babbling – more like rushing and gurgling.  A bit further I could just glimpse from the road a coursing stream with many wandering waterfalls.  Couldn’t get a good view but from the sloping topography I knew there’d be some fine cascades.

Well the posted signs were pretty clear that further close-up inspection would not be welcome, but there was an owner address posted.  So once home I sent off a nice letter asking permission to photograph this beautiful property.  Long story short – didn’t hear back from the owner.  And while often passing by this property over time, I never trespassed.

But all good things come in time, they say.  A couple of years after mailing my letter I got an email from the owner asking if I was still interested.  The owner had his own good reasons for the delayed response and in the following spring we finally met and walked the property together.  As I had anticipated the property was magnificent -- like being transported to the heart of the Adirondacks.  The stream and waterfalls were wonderful and I was graciously given permission to photograph as much as I wished.  I’m purposefully not identifying the specific location since nobody wants to encourage trespassers … ;)

This image is one I particularly like. In waterfall parlance this is a segmented waterfall.  (Yes there are specific names for each type, depending upon whether or not the water is a vertical or sloping drop, maintains partial or complete contact with the bedrock, its force, the ratio of width to length, and other characteristics.)

The real fun of photographing waterfalls for me has to do with the texture of the moving water captured by the camera.  I always start with about one half second exposure and adjust to suit that particular composition.  For you camera buffs, start with a low ISO setting and consider using a neutral density filter.

The Eagle was Busy

… this being the 4th of July and all.   So I enlisted this guy or gal (I think a Red-shouldered Hawk -- but I'll wait to hear from some of you birders out there) to help celebrate our great American Holiday.


Good story: I spent the better part of the day in 3 of the parks near me in upper Westchester laden down with  25 lbs of equipment -- big telephoto, 2x extender, tripod, remote trigger.  Nothing, nada, zilch.
 
Pulled into my driveway, stopped to get newspapers and mail and look who's screeching away, 40 yards distant in the neighboring wetlands.  Got off 5 shots hand held braced against the back fender.  [800 mm, 1/50th of second, f13, iso 3200]
 
Full disclosure:  I used a great new app in Photoshop under the sharpening menu, something called "reduce camera shake."  It won't help if the subject moves but for low shutter speed camera movement, quite an improvement.
 
Wishing you the best 4th ever to you all.